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  1.  34
    Fashion and Kant’s Theory of Self-Consciousness.Eun Jung Kang - 2023 - International Philosophical Quarterly 63 (2):223-231.
    Hinging on a metaphysical examination of the concept of newness and Paul Guyer’s notion of the temporally extended self, this article analyzes what it means that we are a temporally extended being that is fashioned in time, which is none other than a transcendental object = newness, and argues that (fashioned) bodies can be things in themselves and mere phenomena simultaneously. Kant’s doctrine of self-positing assists us in decoding how the subject obtains an embodied experience while a thing in itself, (...)
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  2.  37
    Fashion and desire: A Kantian critique.Eun Jung Kang - forthcoming - Philosophy and Social Criticism.
    By probing into how desire is involved in fashion phenomena, this article illuminates Willkür in tandem with desire. It first analyzes how the higher and lower faculties of desire, spelled out by Immanuel Kant, play a role in fashion, unveiling how fashion as a form of social relations exists in concert with the higher faculty of desire, which has a close connection with Willkür. This article maintains that the arbitrary choice manifested in and through fashion is illustrative of Willkür, on (...)
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    Fashion and desire: A kantian critique.Eun Jung Kang - forthcoming - Philosophy and Social Criticism.
    By probing into how desire is involved in fashion phenomena, this article illuminates Willkür in tandem with desire. It first analyzes how the higher and lower faculties of desire, spelled out by I...
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    Fashion and desire: A kantian critique.Eun Jung Kang - forthcoming - Philosophy and Social Criticism.
    By probing into how desire is involved in fashion phenomena, this article illuminates Willkür in tandem with desire. It first analyzes how the higher and lower faculties of desire, spelled out by I...
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  5.  75
    Fashion and the Aesthetic Aspects of Social Life.Eun Jung Kang - 2018 - The Monist 101 (1):44-52.
    Fashion is an important source for shedding light on modern aesthetic experience. Not only does fashion represent concrete aesthetic quality that reveals the spirit of the times, but it also epitomizes the social relations in liaison with the aesthetic taste of the times. This essay discusses the relationship between Georg Simmel’s sociological aesthetics and Hegel’s dialectics, demonstrates fashion as a domain in which subject-object relations are operative, and shows how fashion hypostatizes the dialectical relations between mind and body and between (...)
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